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Sabtu, 14 April 2012

[C624.Ebook] Free PDF Birds of Southern South America and Antarctica., by Martin R. de la Peña, Maurice Rumboll

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South America, though home to about one-third of the world's bird species and twice as many endemic families of birds as any other continent, has the world's sparsest population of birdwatchers. Birds of Southern South America and Antarctica illustrates and describes all the known species--more than 1,000 of them--in a vast swath of this underexplored birder's paradise, from Argentina, Chile, Bolivia, Paraguay, southern Brazil, and Uruguay to parts of Antarctica. Just some of the birds it covers are teals, tinamous, chachalacas, conebills, cuckoos, macaws, parakeets, parrots, penguins, nightjars, hummingbirds, ovenbirds, tyrants, and tanagers. The habitats range from torrid rainforests and cloudforests to grasslands, the world's driest desert, second highest mountain range, and ice caps.

The 97 color plates depict each species' male in breeding plumage, with the female and young often shown as well. On the facing page are concise textual descriptions of each species, highlighting not only salient physical features and behavioral patterns but the calls or songs of each. Casual birders and ornithologists contemplating a journey to the region, or simply interested in a one-volume overview of its bird life, will not want to miss this book.

Sales Rank: #350483 in Books
Published on: 2001-08-05
Original language: English
Number of items: 1
Dimensions: 7.50" h x 5.00" w x .75" l, 1.08 pounds
Binding: Paperback
304 pages

Review
"[A]n outstanding field guide that covers a vast geographic area and includes a wealth of information for more than 1,100 species of birds. . . . It should be purchased by anybody interested in the birds of southern South America."--Floyd E. Hayes, Auk

About the Author
Martin R. de la Pena, a veterinarian and ornithologist, studies the reproduction of birds, on which he has published three books, alongside a dozen others, in his native Argentina. He has also produced several films on the life of birds. Maurice Rumboll, one of Argentina's top naturalists, directs environmental education programs for students and plans interpretive trails, brochure texts, and visitor centers for his country's National Park Administration, whose Ranger Training Institute he formerly headed. Previously he directed visitors' services and research at Iguazu National Park and served as Traveling Naturalist for the Argentine Museum of Natural History.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good guide, but could be improved. I would recommend it.
By trailweathered
I took an extended trip (2 months) through Argentina, Chile, and Uruguay. This book was adequate and quite useful. I wish the range maps weren't in the back of the book, it slows you down a bit. However, from what I have seen, this is probably the best book to carry if you will be traveling over a large part of the region. The pictures are pretty good, but not great. The descriptions are also pretty good, but not great. I understand some concessions had to be made in order to make it a compact field guide. Overall I think a good job was done of balancing information/size of the book. If you can get by without regional range maps then "Birds of Chile" might be the way for you to go. It is a slightly better quality guide. If you want the range maps for the entirety of South America, and you need a compact, "backpacker friendly" guide, then don't hesitate to purchase this one.

3 of 3 people found the following review helpful.
Very Portable and Useful Little Guide
By S. Paci
I am going birding in Bolivia -- which does not yet have it's own field guide -- later this year. So instead of carrying one guide I need to figure out which combination of books will strike a balance between usefulness and space/weight. I have a feeling this is going to be one of my main resources. It is very portable and so far about 85 percent of the birds I may potentially see are in here. In no way is this book intended to replace a full scale field guide such as "Birds of Columbia" by Hilty or "Birds of the High Andes" but then again it is less than one quarter the size and weight. Also, FYI -- it is quite a bit more than merely an illustrated checklist: you do get a small one paragraph description for each bird, a range map at the back which is a little inconvenient but many full size guides use this format also. The book is probably a little out of date as far as some of the finer points of taxonomy -- but many of the recent arguments are at least explained. All in all -- I feel this will be a very useful book to have along, though it will definitely not be the only book I'll have along.

1 of 1 people found the following review helpful.
A mandatory book for South American birders
By Reginaldo Donatelli
De la Peña & Rumboll's "Birds of Southern South America and Antarctica" is a well illustrated field book with more than 1,000 species of birds from Argentina, Chile, Paraguay, southern Brazil and southern Bolivia, plus Antarctica. Easy to use and carry in the field, one can identify any species fast, being either a male, a female or a juvenile in many cases. Illustrations from Non-Passerine birds are more accurate than Passerine birds. Each plate has the English vernacular name, the latin name and some key informations about the bird sighted as colors (male and female, whether this is the case), habitat and even vocalization in some cases. Unfortunately, the distribution maps for all species are useless and should come after the description of any bird. Despite of the maps, this book is really a good purchase, a mandatory book for South American birders.

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Jumat, 06 April 2012

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Aim for the brain! The characters of The Walking Dead live in a desolate post-apocalyptic world, filled with relentless violence and death. In reality, how would such never-ending stress and trauma affect the psyche? By understanding the psychological forces that drive the series' action, fans can better grasp Robert Kirkman's compelling fictional universe. Which characters suffer PTSD, which show the most hope for recovery, and which instead show posttraumatic growth? Has Rick Grimes lost his mind? What's it like for kid like Carl growing up during the zombie apocalypse? Is the Governor a psychopath, a sociopath, or something even worse? What does that make Negan? What is the emotional cost of killing a walker or even another living person? What does Terror Management Theory tell us about what it means to fight constantly or survival? What is groupthink and how does it affect the decisions made by the people of Woodbury, Terminus, Alexandria, and Rick's "family"? How do they find hope? In 19 chapters from a range of esteemed contributors, plus "Case Files" sidebars by renowned editor Travis Langley with a foreword by George A. Romero's Night of the Living Dead co-creator John Russo, The Walking Dead Psychology: Psych of the Living Dead answers these and many other questions in a way sure to fascinate the millions of passionate graphic novel readers and TV viewers. What does it take to stay human when humanity has lost the world? Contributors include:
John Blanchar * Megan Blink * Colt J. Blunt * Josue Cardona * Adam Davis * William Blake Erickson * Frank Gaskill * Jennifer Golbeck * Jonathan Hetterly * Katrina Hill * Alan Kistler * Dana Klisanin * Stephen Kuniak * Martin Lloyd * Stephanie Norman * Patrick O'Connor * Katherine Ramsland * Clay Routledge * John Russo * Billy San Juan * Janina Scarlet * Steven Schlozman * Lara Taylor * Dave Vergaagen * Mara Wood * E. Paul Zehr *

Sales Rank: #200519 in Books
Published on: 2015-08-04
Original language: English
Number of items: 1
Dimensions: 8.90" h x .70" w x 6.00" l, .90 pounds
Binding: Paperback
286 pages

Review
"The Walking Dead Psychology is the perfect blend of insightful scholarship, pop-culture savvy and bloody good fun. Highly recommended!" - Jonathan Maberry, New York Times bestselling author of Patient Zero and Rot & Ruin.

"Those interested in #TWD and/or psychology, check it out." - actor Andrew J. West (Gareth on The Walking Dead).

"Anyone who's a fan of the show or comic and who's at least slightly interested in psychology would find much to take away from this book. Not only will it enrich your appreciation of The Walking Dead, but the way it uses entertainment to explain the importance of psychological concepts, ...is quite simply good for your braaaains!" - The Pop Mythologist.

"If you watch The Walking Dead and are even only a little bit interested in delving deeper into the show, you owe it to yourself to pick up this collection of essays examining the psychology behind the show." - MOARGeek.

"It gave me a completely new understanding for the series and made me really appreciate the work the writers put into truly developing these characters... Don't stress out thinking that you need to know a good bit about psychology before picking up this book... Thankfully, each contributor is great at breaking down their topic in understandable terms... this book should be next in your to To-Read list. It's an enjoyable and informative read. And once your finished reading the book, you can go back to your zombie survival plans." - All Geek to Me.

"One of the most fascinating books I read this year.... Required reading for zombies with brains." - Brian Keene, bestselling author of The Rising, Ghoul, and The Last Zombie.

From the Author
"The compelling question before us in this comprehensively insightful anthology assembled by Travis Langley is why? What is the cause in our psychological makeup of our continuing willingness--no, our actual craving--to be scared and entertained by the likes of Night of the Living Dead, The Evil Dead, The Return of the Living Dead, and on and on, right up to the present-day comic book and television blockbuster The Walking Dead...?"--John Russo (Night of the Living Dead co-creator), from his foreword. "No matter how realistic a story such as The Walking Dead may be in depicting characters and their reactions, we know their world cannot become our own and it's clearly not close to becoming real. That lets us have fun watching characters in that world even as we worry about what the walking corpses and the living antagonists might do to them."--Travis Langley, PhD, from his introduction.

About the Author
Travis Langley, PhD, is a professor of psychology at Henderson State University, the author of Batman and Psychology: A Dark and Stormy Knight (Wiley, Turner), and editor of The Walking Dead Psychology: Psych of the Living Dead and Star Wars Psychology: Dark Side of the Mind (Sterling). He regularly speaks on the subjects of heroism and popular culture at psychology conferences, fan conventions like San Diego Comic-Con, and universities throughout the world. Psychology Today carries his online column, "Beyond Heroes and Villains." Documentaries such as Legends of the Knight, Comic Book Literacy, and Necessary Evil: Super-Villains of DC Comics have featured him as an expert interviewee. The New York Times (front page), Huffington Post, CNN, ABC News, MTV, and many other news outlets have featured his work and views. As @Superherologist, he is one of the 10 most popular psychologists on Twitter.His analyses of The Walking Dead appeared in several early letter columns of the comic book series and he interviewed most of the original cast last before he knew he needed to make this book happen.
Weapon of choice: long crowbar - quiet, deadly, and unlikely to get stuck in a zombie skull. Walkers and locked doors, beware!

Most helpful customer reviews

8 of 8 people found the following review helpful.
A deeper look at the psychology of The Walking Dead
By Beth
I absolutely loved this book. It takes a serious look at the psychological aspects of the show, both why viewers watch and the toll the Zombie Apocalypse (or any other type of apocalypse) takes on survivors and affects their behaviors. Psychology has always been a casual hobby of mine, and I am truly obsessed with the show, so this was right up my alley. The book is a collaborative effort of several Psychology professors and counselors, and they all offer interesting insights on varying aspects of the show.

So why DO we watch? One of the authors posits that it is because we have a longing for a sense of community, deeper relationships, and connections. There are no cell phones or computers in the ZA. No television, no Internet, and none of the constant bombardment of stimuli that we are subjected to on a daily basis. The survivors have to rely on each other for everything and deep relationships are formed. When you place your life into the hands of others on a daily basis, forging such strong bonds is a major contribution to your survival.

There is also a strong sense of nostalgia for things lost. The survivors feel it as they make their way through the wasted land filled only with walkers; something as simple as the ice cubes in Andrea’s glass of lemonade at Woodbury are seen as a long-lost luxury. After Rick and Carl flee the prison and find refuge in an empty home, Carl looks at the video games in a kid’s room and the big screen TV with longing...then rips the cord off of the useless TV to use to secure the front door. The viewers feel it, too. Seeing abandoned homes and signs of the people who lived there, seeing rusted cars grown over with kudzu, seeing a world that has ended for the vast majority of human beings...how can you not feel a sense of longing for what has been lost? The premiere episode of the show is called “Days Gone Bye” for a good reason.

Another author believes that part of the show’s appeal to so many of us is that it causes us to reflect on existential questions such as the meaning of our lives and to what purpose we would continue in such a scenario. It may cause us to confront our fears and think about how we would react in the ZA. Would we retain our humanity? Would we grow hungry with power like the Governor, or would we do whatever it takes to protect our family, like Rick is trying (and not always succeeding) to do? The author draws an analogy between survival in the ZA and survival in the death camps of the Holocaust. It’s not a bad analogy because surviving both would take courage and the ability to confront the worst that humanity has to offer. How can anyone deal with such inhumanity (in the ZA, both from the walkers and from certain other survivors) and come through unscathed? It’s natural to question our own abilities to deal with such extreme circumstances.

As for the survivors’ response, they are all suffering in varying degrees from Post-Traumatic Stress Disorder. They have all seen and done some incredibly horrible and brutal things and are under constant stress and constant fear. All of this can result in unpredictable behavior and bad decision-making, both of which can cost you your life or the lives of those who are looking to you for protection, resulting in further stress and survivor’s guilt. Many of the survivors have experienced psychotic breaks, such as Morgan after losing his son Duane, or Rick after Lori died. Michonne spent months by herself, talking to her dead boyfriend as if he were there. One of the big questions in the series has been, “Do you get to come back?” In other words, after all you’ve seen and done, do you get to survive with your humanity intact? It’s a question that is still being answered for many of our survivors.

The most interesting chapter to me was the one that considered Daryl Dixon’s transformation from angry redneck to reliable soldier, and even to transformative hero. The author looks at Daryl in the context of Joseph Campbell’s ‘hero arc,’ in which the character embarks on a journey of self-discovery. Daryl is compared to the classical hero Ulysses, who experiences hardships and tests in his travels and learns much about himself in the process. Daryl was an abused child, growing up in sad circumstances; he looks for Sophia with such dedication because he thinks about how he wished he could have been saved when he was a child. It has taken the ZA to make Daryl realize his potential as a human being with meaning to his life, and a valuable, trusted member of the group. As such, Daryl is a symbol of much-needed hope in the apocalyptic world. If Daryl can overcome what he did and grow into a position of trust and leadership, then there is hope for all of us. Daryl sets the bar high and challenges us to become our own “better angels.”

The book also does a few case studies of some of the characters to see if they fit the profile of a psychopath. Shane, the Governor, the Claimers, Negan, and others are examined using professional criteria.

The book concludes with the thought that zombies help us confront one of our biggest fears: our own mortality. We see that the zombies are simply bags of meat, without purpose or meaning other than finding their next meal (and hopefully it’s not us). We all have a desire to find meaning in our lives, to be more than another bag of meat. The book feels that The Walking Dead succeeds in showing the human struggle to find meaning in life, even knowing that our mortality is inevitable, and that our struggle matters.

So why do I love the show so much? Because it makes me think about all these things. Yes, you can say that it is “just a TV show,” but I’ve always felt that good TV can speak to us on a level that makes us address certain things in ourselves and also connects us with others who feel the same way. The best shows make you wonder how you would react in certain situations, whether it’s Walter White confronting a cancer diagnosis or Don Draper dealing with his past and the rapidly changing world around him. The Walking Dead makes us wonder what we would do in order to survive...or would we even want to? And why?

Highly recommended for anyone who is a fan of the show, comics, or novels.

8 of 10 people found the following review helpful.
A great book for the living and the dead!
By Michael D Witwer
I just finished my advance reading copy and I loved it! I'm a lifelong horror movie fan and The Walking Dead Psychology really opened my eyes as to why concepts like zombies are so darned appealing. With an insightful foreword by Night of the Living Dead co-creator John Russo and a series of fascinating chapters (by several different contributors and edited by Dr. Travis Langley) that cover virtually every psychological and sociological aspect of the zombie apocalypse, as portrayed on TWD, this book really keeps you engaged and thinking - a must read for TWD fans and zombie generalists alike!

2 of 2 people found the following review helpful.
A great find for the other kind of Dead-heads
By David
"The Walking Dead Psychology" is for those who aren't satisfied with just The Story, but want to understand the deeper motivations and mechanisms at play in the characters. The show is so emotionally raw that its hard not to project one's self into it, wondering "How could I weather *that*??" This book will give you solid academic answers, neatly meshed with the television and comic book versions proper. Its not a dry textbook, but a labor of love. Keep your Anti-Zombie Bat-Spray handy, because the technical explanations come shoulder-to-shoulder with juicy, wrenching references to story events.

The show has wryly been called "misery porn," as no one really escapes in the end, yet the struggle is clearly mesmerizing. Too much so-called realism has permeated our popular lore until it sometimes undermines the relief or uplift we seek. However, the better zombie offerings are all *about* surrogate family and perseverance under hard conditions. There is more tension than release, but that makes it sweeter when it arises. There's something arresting about the show quote "You feel safe enough to be bored? You're lucky." Part of testing ourselves with fictional zombies involves a sideways inoculation against the real ones in politics, on the job or at Wal-mart. The show displays the paintings in the narrative house; this book shows you the internal wiring of the Why and How.

Shooting a zombie in the head is easy; coping with the apocalypse in your own head as you navigate such a mess, much less so. This is almost a missing link in any WD library, or any zombie collection. Where the absorbing "World War Z" is built from individual, subjective testaments, "The Walking Dead Psychology" describes the intersection between the clinical and the human. Its a satisfying read.

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Rabu, 04 April 2012

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Sales Rank: #1853619 in Books
Brand: J H Haynes & Co Ltd
Published on: 2011-05-01
Original language: English
Number of items: 1
Dimensions: 11.02" h x .98" w x 8.27" l, .0 pounds
Binding: Hardcover
256 pages

Most helpful customer reviews

2 of 3 people found the following review helpful.
the one for sprinter repairs!
By Warren E. Lilly
This is the best manual for the sprinter I have found.
But it has little info on american models engine and transmission.
Wiring diagrams are easy to use without all other systems in the pictures.

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Selasa, 03 April 2012

[U696.Ebook] Get Free Ebook Handbook of Osteopathic Technique, by Laurie S. Hartman

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This handbook discusses all aspects of modern osteopathic techniques, including indirect technique. This book should aid learning and development using descriptions and photographs, emphasize the most and least suitable procedures for varied body types and show how to improve skill and assist constructive learning. Information is also given on modifying factors that fit different techniques to different subjects and models of dysfunction and contra-indications to technique. The book is designed for students of osteopathy but it will also be valuable for physiotherapists, chiropractors and manipulative physicians who wish to expand their knowledge of effective, modern, gentle osteopathic methods. This book should be of interest to Osteopaths, Chiropractors, Physiotherapists, and students in these areas.

Sales Rank: #1871317 in Books
Published on: 1996-01-01
Released on: 1996-01-01
Original language: English
Number of items: 1
Dimensions: 9.69" h x .66" w x 7.44" l, 1.16 pounds
Binding: Paperback
282 pages

Review
"Foreword Acknowledgements Preface To The Third Edition 1. How To Use This book 2. Somatic Dysfunction 3. Diagnosis 4. Classification Of Osteopathic Techniques 5. Contra-indications And Precautions 6. Indirect Technique 7. Modifying Factors In technique 8. Handling 9. Operator Posture And Stance 10. Applied Technique 11. Principles Of Locking 12. Exercises For Developing Technical Skills 13. Techniques For The Lumbar Area 14. Techniques For The Sacro-iliac Area 15. Techniques For The Gluteal Region And Coccyx 16. Techniques For The Thoraco-lumbar Junction Area 17. Techniques For The Thoracic Spine 18. Techniques For The Thoracic Cage And Ribs 19. Techniques For The Scapulo-thoracic Area 20. Techniques For The Cervico-Thoracic Junction Area 21. Techniques For The Cervical Area 22. Techniques For The Occipital Area 23. Techniques For The Sinuses And Temporo-mandibular Joints 24. Techniques For The Clavicle Area 25. Techniques For The Shoulder Area 26. Techniques For The Elbow Area 27. Techniques For The Forearm Area 28. techniques For The Wrist And Hand 29. Techniques For The Hip Area 30. Techniques For The Thigh Area 31. Techniques For The Knee Area 32. Techniques For The Calf Area 33. Techniques For The Foot Recommended Reading Index "

Most helpful customer reviews

2 of 4 people found the following review helpful.
Osteopathic Lab Manual
By John T. Zipple
This text is a wonderful newest edition to a great first edition. I use it to supplement manipulative techniques in the course on Manual Therapy that I teach.

0 of 2 people found the following review helpful.
Rapid delivery to Canada
By do
Quick delivery using standard delivery to Canada. No problems with customs as Amazon USA adds a very small customs fee so there's no hassles when the product is crossing the border into the better half of North America, just kiddin', lol.

6 of 12 people found the following review helpful.
He does it so easy
By G.J.Heijnsbroek
I've met Laurie Hartman at F.I.C.O.,Flanders International College of Osteopathy,were he tought his techniques.He is so brilliant that he remaines the modest man himself.His manipulations as he does it are so easy and we ,the students , are wresteling with it.I've learned to follow the tissues and not the technique as we learned them. Thank you.

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[S583.Ebook] Free PDF The Icarus Deception: How High Will You Fly?

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In Seth Godin’s most inspiring book, he challenges readers to find the courage to treat their work as a form of art

Everyone knows that Icarus’s father made him wings and told him not to fly too close to the sun; he ignored the warning and plunged to his doom. The lesson: Play it safe. Listen to the experts. It was the perfect propaganda for the industrial economy. What boss wouldn’t want employees to believe that obedience and conformity are the keys to success?

But we tend to forget that Icarus was also warned not to fly too low, because seawater would ruin the lift in his wings. Flying too low is even more dangerous than flying too high, because it feels deceptively safe.

The safety zone has moved. Conformity no longer leads to comfort. But the good news is that creativity is scarce and more valuable than ever. So is choosing to do something unpredictable and brave: Make art. Being an artist isn’t a genetic disposition or a specific talent. It’s an attitude we can all adopt. It’s a hunger to seize new ground, make connections, and work without a map. If you do those things you’re an artist, no matter what it says on your business card.

Godin shows us how it’s possible and convinces us why it’s essential.

Binding: Audio CD

About the Author
Seth Godin is the author of more than a dozen bestsellers that have changed the way people think about marketing, leadership, and change, including Permission Marketing, Purple Cow, All Marketers Are Liars, Small is the New Big, The Dip, Tribes, Linchpin, and Poke the Box. He is also the founder and CEO of Squidoo.com and a very popular lecturer. He writes one of the most influential business blogs in the world at SethGodin.com.

Most helpful customer reviews

320 of 344 people found the following review helpful.
A Beautiful Deception
By Faisal Nsour
I give this book 3 stars to split the difference between the 1 star it deserves as a book, and the 5 it deserves as a marketing lesson.

Like most reviewers so far, I bought this book because I'm a fan of SG. However, while I do believe he is preaching his message with the sincere intention to serve us, his readers, I must disagree with the raving reviews. As I read the same message he's given us before, remixed with nuggets from his vast reading, I feel deja vu. The book is like a handful of fortune cookies from SG's all-you-can-eat Chinese buffet.

The Icarus Deception is grab-bag of his market insight and signature motivational style, already well-expressed on his blog and in his other books. The references to SG's broad reading (even Ulysses gets a nod) was probably thrown in to mix things up, but all it does for this reader is mix up things.

The cajoling to seize your destiny, and live as an artist of life, is not without charm. But SG can do better. He is better than this book. His readers certainly deserve better. Mr. Godin, your readers deserve all of that enormous brain of yours, not just the clever marketing gland (which I can only assume is just above the lizard brain).

A good book on life and work as an artist is the "The Elephant and the Flea" by Charles Handy.

4 of 4 people found the following review helpful.
Good examination of what it means to be an artist - could've been much shorter
By Charlie
Overall I’d recommend this book.

His basic message is to create things you feel compelled to create, because that's your best shot at success in this new economy.

With the advent of the Internet, distribution is now basically free. In the traditional economy, everything was tangible and thus scarce. Customers demanded these goods, so value was created when you could bring these goods to the customers. That created lots of gatekeepers who would decide how to allocate their scarce resources: retailers charge slot fees, publishing houses pick authors, etc.

However, now distribution is free: billions of people are (mostly) free to connect with any of the others billions of people. It’s an unprecedented and amazing time for us, given how important connections are to us.

But because distribution is free, there’s a lot more noise out there. Curation is still important. How do you cut through all the noise and add value to other people?

The answer is that you do things that are valuable and are worthy of cutting through the noise. And the author asserts you do that in two ways: making a commitment to art, and getting good at that art.

Art, as defined by the author, is work that is new, real, and important. It’s using your gifts to make a difference in other people’s lives.

It’s operating without a map, exploring the edge of what’s possible. And, it’s inherently risky. You might fail. You’ll probably fail. There have always been “safe paths”, but those necessarily required you to follow a plan that’s not yours. And people usually have to give up part of themselves to follow it.

Instead, now today, we live in a world where you can create your own path. You can find and serve your customers wherever they are. But you need to find your unique offering, because if you just copy someone else, then customers will just go to that someone else.

There are millions of bloggers out there, but certain bloggers stand out in part because of their unique voice. We connect with them, we like their style and personality. But I’m not going to connect with every great blogger because some will just rub me wrong. That’s OK, because someone I connect with will rub someone else the wrong way.

When you can’t please everyone, that’s OK in the new economy. In fact, that is a differentiator.

One action item from this book is to recognize situations where I’m feeling internal fear/stalling/insecurity when creating, recognizing procrastination and subtle instinct to seek approval. Another is to remember that shame is a choice – you can’t feel ashamed without your permission, only if you agree it’s bad.

The major critique I have for this book is it’s way too long. This thing could’ve been 25% the size and still gotten the major points across. It meanders this way and that way. I’m sure he could’ve made more concise without compromising himself.

4 of 4 people found the following review helpful.
I Love Seth (but this book is 1.5x too long)
By Otis Woodard
The book in a nutshell:

1. We've been brainwashed by the industrial complex to fly too low, to comply, to surrender our brilliance for perceived security.
2. That strategy once worked--our comfort zone and that safety zone we were offered were aligned.
3. They are no longer aligned and most aren't noticing. That's dangerous. The world tilted on it's axis and folks aren't noticing.
4. The new gig is to produce "art" in whatever you do (no matter what you do), because art "connects" and people want connection.
5. Everybody can be an artist at whatever they choose to do. You don't need to change your work or career. Just elevate your work to art.
6. But to do that you have to step over fear and the lizard brain (amygdala) we have that screams "you are gonna die!" if we attempt to do something risky and creative.
7. But you gotta do that because the world is waiting on your art, your connection, your breath of fresh air.

The bulk of the book is looking at the nuances of all this in about 88 different ways when you'd really probably get it after four. He's got a great theme and call to action, and there are some gems in here to be sure. But there are times when I was simply thinking to myself, "Really, Seth? I trusted you, and you are driving me around all the blocks in the neighborhood when just a couple would have conveyed the sense of the place."

But heck. Maybe I didn't get the "art" of this type of book. But don't get me wrong. I'll buy the next Seth book because Seth rocks and all. But, my goodness, this was the longest short read I've ever read, and I even just skimmed all the Kickstarter Acknowledgements that are a whopping 20% of the total length of the book. Would I recommend the book? I am glad for the gems I pulled out of it. But, honestly, after seeing the pattern, I was ready for the book to be over with. So the answer is, "It depends." If what you are looking for is a kick in the pants to get on with your "art," I'd recommend Pressfield's "The War of Art" instead. If you are not sure you are an artist or can be an artist at whatever you do, and want to entertain that idea, then this book might be for you.

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Rabu, 14 Maret 2012

[Q279.Ebook] Download PDF Standard Catalog of World Paper Money, General Issues, 1368-1960 (Standard Catlog of World Paper Money Vol 2: General Issues)From Krause

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Six centuries of world paper money!

The "Standard Catalog of World Paper Money, General Issues, 1368-1960" remains the most comprehensive reference of its kind on the market. With input from more than 75 worldwide contributors and auction houses, the 15th edition of this impressive catalog again proves to be the single-source volume for listings, identification and values of nationally used bank notes.

Featuring nearly 600 years of bank notes from more than 230 issuing authorities worldwide, the catalog includes:

27,500 bank note varieties with values in three grades of preservation
More than 12,000 images to assist in easy identification
Easy to follow charts to aid in prompt cataloging
Current and completely vetted valuations from more than 75 contributors and auction houses

Grand in scope and size, the "Standard Catalog of World Paper Money, General Issues, 1368-1960" provides everything needed for proper identification and evaluation of your world bank notes in today's growing market.

Sales Rank: #190604 in Books
Published on: 2014-12-29
Original language: English
Number of items: 1
Dimensions: 10.88" h x 2.50" w x 8.25" l, .0 pounds
Binding: Paperback
1296 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Black and White PDF
By CC - NH
This is simply a single PDF file of the catalog. It is in black and white (no color), and it is not searchable. The table of contents is clickable, which is good, so you can click to your country of interest. A bit disappointed. The publisher has missed a tremendous opportunity to create a usable tool for active banknote collectors and traders.

0 of 0 people found the following review helpful.
Standard Catalog
By Book Buyer
Another decent catalog. Its pretty useful, but I still can't give 5 stars because it's all in black and white, and some of the pictures are a little hard to make out. As I said with the other volume, it would be nice if they split this up into a few different books, and printed it in color. I wouldn't mind paying a little more for something that was printed in that way.

I also found a lot of entries in this catalog that didn't have pictures, which was somewhat frustrating.

1 of 1 people found the following review helpful.
better with coloured banknotes
By Amazon Customer
The banknotes picture not coloured. ..black and white only

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Senin, 12 Maret 2012

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If you could repeat one year of your life, what would you do differently? This heartwarming and hilarious novel from the authors of The Status of All Things and Your Perfect Life features three best friends who get the chance to return to the year they turned forty, the year that altered all of their lives in ways big and small-and also get the opportunity to change their future. But it doesn't take long for all three women to learn that re-living a life and making different decisions only leads to new problems and consequences-and that the mistakes they made may, in fact, have been the best choices of all.

Sales Rank: #8614662 in Books
Published on: 2016-04-26
Released on: 2016-04-26
Formats: Audiobook, CD, Unabridged
Original language: English
Number of items: 1
Dimensions: 5.04" h x 1.13" w x 6.04" l,
Running time: 662 minutes
Binding: Audio CD

Review
“A new twist on modern day women’s fiction…the integration of magical elements works surprisingly well in this witty story that is much more than charming romance. A fun and fast read for fans of Meg Cabot and Jennifer Weiner.”

About the Author
Liz Fenton and Lisa Steinke have been best friends for twenty-five years and survived high school and college together. Liz lives in San Diego with her husband and two children. Lisa, a former talk show producer, now lives in Chicago with her husband, daughter, and two bonus children.

Liz Fenton and Lisa Steinke have been best friends for twenty-five years and survived high school and college together. Liz lives in San Diego with her husband and two children. Lisa, a former talk show producer, now lives in Chicago with her husband, daughter, and two bonus children.

Lisa Larsen is an audiobook narrator and voice artist whose voice can be heard around the world and across the Web in audiobooks, commercials, e-learning projects and corporate narrations. Lisa came to voiceover from the stage and holds a B.F.A. in Music, Dance Theater from Brigham Young University. When not narrating from her Los Angeles home studio, she can be found wrangling her two young daughters or working on a remodeling project with her husband.

Excerpt. © Reprinted by permission. All rights reserved.
The Year We Turned Forty CHAPTER ONE June 2005
“Push! Harder!”

The labor-and-delivery nurse belted out the command as Jessie shook her head defiantly in response, her entire body trembling, sweat and tears dripping down her face, pooling at the base of her neck. Even as the baby crowned, she knew she wasn’t ready for its arrival.

“I can’t,” she finally managed, her mouth as dry as a ball of cotton. She’d kill for a drink of something that would quench her thirst—in fact, she could vividly picture herself strangling the nurse in exchange for a tumbler piled high with huge cubes of ice and filled to the brim with cold water.

“You can do this.” Her husband Grant’s breath felt like fire on her ear, his words fast and fumbled, desperation lacing every one. He and the nurse had been having a not-so-subtle conversation with their eyes for the last hour, their concern heightened with every raised eyebrow and pointed look at the baby’s heart monitor attached to Jesse’s protruding belly. “You have to. It’s time. Please, honey.” Grant’s pale skin was glistening under the fluorescent lights, his dark hair matted against his head as if he was the one who’d been in labor for almost twenty hours. He rubbed the corners of his dark green eyes vigorously, and Jessie knew he was searching for the encouraging yet forceful words that would make her want to push the baby out, but his slumped shoulders exposed how close he was to admitting defeat.

Her pregnancy had been difficult for so many reasons, and Jessie wasn’t one bit surprised that it was culminating in an arduous labor. In her mind, she deserved every painful contraction, every minute that clicked by without relief.

Jessie could feel her baby fighting its way out now, and she remembered why that severe burning sensation between her legs was called the ring of fire. She tried to concentrate on the hideous paintings of pastel floral arrangements adorning every wall, but the searing pain yanked her back to reality just as her doctor walked into the room, effortlessly releasing the commanding words Grant was having trouble articulating. “This baby is coming—now—and you have a job to do here, Jessie.”

“Okay,” Jessie huffed before taking a deep breath, gathering a current from deep inside her, and pushing with a force she didn’t realize she had. The baby’s first cries unleashed a tornado of emotions—of joy and sadness, relief and anxiety. As her newborn son was placed on her chest and she inhaled his smell, she was bewildered by how holding her baby for the first time could be both the best and the worst moment of her life.

•  •  •

“What do you think is taking so long?” Gabriela glanced at the clock on the wall, her long nails tapping the ripped navy blue armrest beside her, her makeup from the birthday party the night before smudged beneath her coffee-colored eyes. She was still wearing her skintight emerald green dress. Despite the amniotic fluid stain down the side—Jessie’s water broke in a violent burst at Gabriela’s house the night before, splashing off the travertine tile and onto her dress—it was attracting more than a few approving glances.

“I’m sure it will be any minute now,” Claire declared calmly from behind a tattered copy of an old tabloid magazine. The couple canoodling on the cover had long since split up. “I actually thought because it’s her third kid she’d push like one time and poof, we’d have ourselves a baby.”

Gabriela glanced at the swinging doors once more, willing Grant to burst through them like a jubilant new father, dispersing candy cigars as he announced that the baby had arrived safely. When Jessie’s water broke, something had cracked open inside Gabriela too—an incredible desire to hold the infant, to nuzzle it against her and marvel at its ten tiny fingers and toes. She’d never wanted children of her own, and had never wavered, not even when her husband, Colin, would place yet another of their friends’ birth announcements in front of her with an expectant look in his eyes. She’d gently repeat her explanation—that she didn’t feel she was meant to be a mother. Then she’d watch the range of emotions ripple across his face—first the frustration that she wouldn’t change her mind for him, followed by the realization he’d never be someone’s father. But ultimately, the love he felt for Gabriela always won out. She’d been honest about how she felt since early in the relationship, and until they had married, she’d thought he had been on the same page. But then he would drop a hint here, make a comment there, and she often wondered when or if he’d finally stop bringing it up. Until eventually, he did.

Which is when something unexpected happened.

Gabriela had recently turned forty. When she did, it revealed a hole inside of her she hadn’t known was there. Now, she couldn’t wait to see the look on Colin’s face when she told him she was ready to be a mom.

•  •  •

Claire eyed Gabriela discreetly from behind her magazine, watching her carefully cross and uncross her long legs. Gabriela could be described as a lot of things: organized, practical, whip smart, even nurturing. But worrisome and anxious were not words Claire would ever use, and Gabriela’s nervous behavior baffled her. She was surprised Gabriela had not only come to the hospital but waited here this entire time. It wouldn’t have been at all out of character for her to have stayed at the party and visited the baby once it was cleaned, bundled, and sleeping soundly in a bassinet. Jessie had actually tried to convince both of them to do just that. Through clenched teeth and short, heavy breaths, while Grant was pulling up the car, Jessie had practically begged them not to ride with her to the hospital, to please stay and enjoy the party because it was theirs too, the urgency in her best friend’s blue eyes taking her by surprise, almost enough to make Claire agree.

Gabriela’s, Jessie’s, and Claire’s birthdays fell within a few months of each other—Gabriela in late May, Claire in June, and Jessie in July—and they’d made a vow almost twenty years before, while sipping beers at a dive bar in Newport Beach, their feet crunching the peanut shells covering the floor, to always celebrate together. Last night, they’d clasped hands as Colin toasted them, making a joke that forty was the new eighteen. Gabriela glowed as her husband captivated the crowd, Jessie shifted her weight, nervous and uncomfortable, her bladder signaling she needed to go again. And Claire only half listened as she popped a strawberry into her mouth, shyly making eye contact with a man different from any she’d met before, who’d made her heart flutter when they’d grazed arms and shared small talk at the chocolate fountain earlier.

Claire’s phone vibrated in her hand and her stomach jumped as she realized the adorable guy she had bantered with last night was now calling. She pulled her magazine up slightly to hide her smile from Gabriela. Forty was starting off right.

•  •  •

Jessie squeezed her eyes, fighting the flow of tears that continued to gush from them, like a pipe that had burst inside her. She hugged her baby to her chest tightly, putting her finger inside his hand and watching as he gripped it. She studied her newborn son’s scrunched face, searching for her own features, trying to calm her rapid breath as she instantly recognized the shape of his nose and jut of his chin. She glanced over at Grant. Did he see it too? She had promised herself that she would tell him today. That he deserved to know the truth. She even let herself believe that he might stay anyway, although she was smart enough to realize that it would never be the same, that she’d never again catch him looking at her like he’d just met her and was intrigued by all the things he didn’t yet know.

Grant pressed his lips to her forehead and combed his fingers through her damp hair. She looked at him hard, trying to etch each angle of his face into her memory, so she could always remember what it was like to have him love her like this.

“I have something to tell you,” Jessie said in a lowered voice as she glanced at the nurses busily cleaning up.

“Me too.” Grant gently took the baby from her and cuddled him against his broad chest, his eyes glinting with tears. “I love the girls with all my heart, but I never knew it would feel this way to have a son.”

Jessie swallowed the words that had been sitting on her tongue and made a choice. She had no idea if it was the right one, but it was the only one she was capable of making. “I’m so glad. He looks just like you.”

Most helpful customer reviews

12 of 12 people found the following review helpful.
I adored this book
By Honolulubelle
Favorite Quotes:

“Together but not connected – a very precarious place for any marriage to perch.”

“She realized too late that falling in love was the simple part- it was staying in love that seemed to elude most people.”

“Jessie had been like a lone piece of luggage on a baggage carousel, endlessly circling around, with no hope of being recovered.”

“Jessie recognized her you are full of bulls*** look that she usually only reserved for street fair psychics and men who wore skinny jeans.”

“Claire had never been one to work out. Her idea of breaking a sweat was having a heated negotiation with another Realtor.”

My Review:

The Year We Turned Forty was an exceptionally written, creative, interesting, and highly entertaining read. This was my first experience with either author but will now be tracking them both in the same manner I following sales announcements for my favorite boutique. The writing was superb, painfully insightful, thoughtful, observant, clever, and all engrossing. Once I started, I could not put my kindle down and resented all interruptions to my reading. The characters were fully inhabited and endearing, yet frustrating and deeply flawed – well - aren’t we all? The storyline presented an interesting premise; I liked thinking of what I would do if offered the same 10 year do-over…

8 of 8 people found the following review helpful.
Great story
By Shelley
I loved this book! I am always intrigued by books involving time travel. This one had a unique twist , in where three women got to go back in time 10 years, and make different choices which would change the outcome of their life. It was well written and really got me thinking about how even if you make different choices in life , you still have problems, just different ones. What I loved about this book was that it made me think, the characters were well crafted, and it was an easy, fast read. I am looking forward to reading other books by this talented duo.

6 of 6 people found the following review helpful.
Amazing read!
By Amazon Customer
Once again, another amazing novel. But as I'm facing my 50th as well, this book got me to thinking: would I do it all again, but better? If I'd turned left instead of right, would I still be standing where I am? Would I want to? The answer? Lies within this novel as well as within each of us. Never regret something that made you smile. Enjoy it! I sure did!!

See all 177 customer reviews...

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